Martin Scorsese captures the exquisite agony and pleasure of passion that’s forced to remain theoretical.
This disc correctly insists that the film is an astonishing achievement that belongs in the canon of classic American cinema.
At Home at the Zoo, the last name Albee picked for one of his works, carries as much weight as one can ask of a name.
Dead Poets Society purports to be about the bravery of following one’s own path. This is a bright, shining lie.
A chronicler of privilege and prep par excellence, Stillman was at the height of his powers when he made The Last Days of Disco.
Criterion’s DVD will not only satisfy but validate the cult surrounding one of the best and most relevant films of the 1990s.
The focus of Whit Stillman’s film is a psychologically authentic and painfully parasitic female relationship.
Dr. Gregory House returns for a third season in the show that bears his name and, at first, he’s surprisingly less of a curmudgeon.
Not for the faint of heart, Chelsea Walls arrives just in time for anyone hankering for a really hot Beatnik summer.
Nicole Burdette’s screenplay is less concerned with engaging the spirits of the past than it is with, well, blowing hot air.