A profoundly beautiful restoration makes this release a must-own for Lynch aficionados.
The miniseries exists somewhere beyond the boundaries of normal taste, in a realm where sheer muchness is its own reward.
Independence Day: Resurgence does nothing satiric or fleetingly parodic with the notion of a world united in the midst of alien annihilation.
Norman Bates gets out of the funny house and reacquaints himself with the tedium of a day job. It doesn’t go well.
Tim and Eric's defining trait is that they seem too soft-spoken to wield brickbats against established orders.
In the race to achieve unadulterated fourth-wall breakage, Tim and Eric’s Billion Dollar Movie is the new pack leader.
Illogical and proudly crude plot developments are par for the course in Billion Dollar Movie.
In a just world, Harvest would be getting a wide release alongside of, if not necessarily instead of, Thor.
The pacing is great and there are many interesting shots and uses of the camera, but nothing too showy.
Shrink is ultimately an ain’t-Hollywood-grand film masquerading as a boy-L.A.-sucks film.
In many ways, Lost Highway finds David Lynch at his most daring, emotional, and personal.
We still await the definitive DVD release of Lost Highway, a film crying out for rediscovery.
Big is a consummate ’80s film about kid-dom and growing old too fast.
Marshall’s film is gold.
“Push It to the limit” goes one song in the film and Brian De Palma wilfully obliges.
It’s not long into the film before you begin to miss the minimalist political paranoia of The Parallax View.
The next-best thing to hanging out at the Bing.