The episode divides its time between domestic drama, overarching mythology, and seriocomic pop surrealism.
As of the latest episode of Twin Peaks: The Return suggests, the darkness seems to be winning.
We might expect it to end on the performance, as each episode has until now, but Lynch throws us a curveball.
In the season finale of Homeland, everyone is a pawn in someone else’s power play.
The episode’s triumph is the way it continues to observe the fallout of large political actions.
Homeland’s season-six premiere provides a plausible dissent and voice for those who’ve been silenced.
With Never Go Back, the Jack Reacher franchise is beginning to suggest NCIS remade on the big screen.
Throughout, Helen Hunt obsequiously tends to her character’s evolution as a parent through a flagrant indulgence of sitcom-ish scenarios.
This is the equivalent of a sexy McDonald’s ad where someone is munching on a Big Mac while drinking pink desert wine.
Though based on a popular video-game series, Xavier Gens’s Hitman plays like a music video without the music.
Like Lost, the show seems predicated on an unsustainable premise.