Paramount’s newly remastered 4K transfer ensures that the film looks better than it ever has on home video.
The film panders to those short on memory as if its central inspiration, Sam Raimi’s Spider-Man, were just released last week.
The films of Frank Tashlin, Jerry Lewis, and Hope and Crosby all worked the same territory, ZAZ just took it as far as it would go without snapping.
Once the film’s fanatics find out that this edition is mostly a gussied-up replay of the previous one, the shit’ll really hit the fan.