Robert Greene discusses how he merged the processes of drama therapy and filmmaking, how he avoided retraumatization, and more.
Robert Greene’s gaze is an attempt to accord his subjects the dignity of attention, utilizing cinema as a form of emotional due process.
Throughout the documentary, Benjamin Ree upsets conventions, offering a moving portrait of two lost souls.
Robert Greene obliterates notions of objectivity to find the manna of a town’s emotional identity.
The director and actress discuss the complexities of their unconventional docu-fiction hybrid.
It movingly posits acting as a metaphor for the search for connection, through visceral texture rather than platitude.
It movingly posits acting as a metaphor for the search for connection, through visceral texture rather than platitude.
This year’s True/False Film Fest bursted with new possibilities for the documentary form.
It convincingly reconciles private passion with public desire by suggesting that, for women in particular, the 21st-century limelight is always on, no matter the setting or venue.
The Notorious Mr. Bout romanticizes rather than humanizes its rather thorny subject matter.
This well structured film is often tough to take, but it honors its own wounded integrity.
The summer keeps going as we talk shop with Robert Greene and his new documentary Fake It So Real.
In a way, Kati with an I is the Everyone Else of naïve high school love storie.
Amid the chokehold montages and extended conversations of the cast discussing and tiptoeing around homophobia, Greene’s film is imbued with empathy.