Eggers discusses how he came to comprehend Viking mentality and morality, as well as how he executes his meticulous method on set.
Robert Eggers’s The Northman doesn’t lack for blood and guts, but it doesn’t play enough in the well of the weird.
Robert Eggers loosens the noose of veracity just enough to allow for so much absurdism to peek through.
The reworking of a tired horror trope into a transformed feminist symbol is an impressive act of genre revisionism.
At times, The Witch’s minimalist chill becomes too diffuse for its own good.