Will Ferrell is not in a joking mood throughout much of the run-of-the-mill featurettes available in the disc’s extras department.
David Wain and Ken Marino’s The Ten is as tonally divergent as possible from Krzysztof Kieślowski’s The Dekalog.
The film gleefully clings to an unattractive frat-boy ethos while squandering the opportunity for real rebelliousness.
It’s tempting to write off The Black Donnellys as The Sopranos Lite.
The film has an excellent pedigree, but when it poops it stinks of a Tim Allen movie.