Rithy Panh’s personal story is always the most compelling and visually arresting.
It contextualizes cinema not only as a form of magic (capable of transformative, elated power), but also of revolution.
Teachers take note: S21: The Khmer Rouge Killing Machine would make for a great double bill with Schindler’s List.
Rithy Panh’s more abstract observations serve to distance us critically from the horrors committed at S21.