For a series meant to tackle thorny social issues and gender dynamics, Roar comes across as distressingly slight.
Writer-director Jim Cummings reinvigorates an oft-told tale with personal, thorny preoccupations.
Nerdland exudes a self-satisfied smugness in its unvaried focus on the worst of human behavior.
The film is nothing without the physicality of the performers, as the script handles the transition of Shakespeare’s language to modern day indifferently.
Our long national lousy-horror-remake nightmare has finally—or at least temporarily—ended.
Whether or not one is able to find humor in Dane Cook’s spastic white-boy antics, it’s now clear that the man was born to play the role of the asinine romantic.
Not a lot of supplemental materials here, but not unlike the film, they don’t mess around.
Million Dollar Baby is another act of faith from Clint Eastwood.