Part of the pleasure of Gary Ross’s film lies in watching it turn a typically male-dominated genre on its head.
The new trailer for Ocean’s 8 reminds us, more than once, that committing a crime can be deliciously fun.
Michael Roberts’s film is an unabashed exercise in deifying its subject matter with superlatives and hyperbole.
The difference between the film and its equally expensive contemporaries is Luc Besson’s playful, childlike naïveté.
This year’s Grammy Awards are shaping up to be a contest between Adele and Beyoncé.
Listen to a playlist of the best singles of the year on YouTube and Spotify.
After making its premiere in IMAX Cinemas across the country, the music video debuted on Tidal and YouTube this morning.
After five long years, Rihanna has reunited with Calvin Harris on first single from the producer’s upcoming album.
The video works by representing the body as the most direct visual expression of the self.
Anit’s peculiar rollout continues with not one, but two music videos for the lead single “Work.”
Anti‘s second half finds Rihanna dabbling in previously unexplored genres, and to various degrees of success.
After a string of underwhelming singles and several momentum-killing delays, Rihanna’s Anti, her first album in over three years, finally looks imminent.
To celebrate Rihanna’s 10 years in the business, we took a look back through her catalogue of hits.
Home’s exposition is a mess of forced zaniness, which leaves the rest of the film with a Swiss-cheese foundation.
Belting has never been Rihanna’s forte, and it’s as painful as it’s ever been here.
Her recent rendition of “Frozen” breathtakingly reinvented the queen of pop’s icy electro-pop hit from 1998 into a stirring, nuanced keyboard dirge.