Review: The Take

For a film so interested in the public’s malleability, The Take isn’t particularly good at controlling its own audience.

Review: Cinderella

The filmmakers cut the film to emphasize the story’s familiar plot points, rather than highlight any instances of personal visual artistry.

Review: A Promise

Patrice Leconte struggles to find a coherent rhythm, a problem exacerbated by a hurried running time that compresses some of the novella’s more interesting socio-political nuances.