Kelly discusses the so-called “Cannes cut” of Southland Tales and his desire to incorporate new material into the film.
Arrow’s release gives viewers the opportunity to experience the original cut of Kelly’s freewheeling satire for the first time.
With this gorgeous and obsessive four-disc set, Donnie Darko fanatics may have found their ultimate bible, at last.
The filmmaker discusses Arrow Video’s two new restorations of his seminal debut feature.
See which cake-loving whippersnappers we corralled for this list, a celebration of the filmic fat kid
I didn’t even get that moral exploration I was hoping for, since the issues the box might have opened up are left unexamined.
I’m not sure how Mulholland Drive would look to me now that this decade is ending.
The sticking point for The Box is how well it succeeds as Richard Kelly’s version of a mainstream, commercially viable bit of speculative fiction.
The Box wrestles with issues of greed, altruism, and one’s vital place in the (local, global, universal) community.
Teen horniness is not a crime but Southland Tales is.
This is a wild movie on a very large scale that’s bound to alienate a lot of people.
If Donnie Darko was Richard Kelly’s Eraserhead, then maybe Southland Tales is his Dune.
The film is so aesthetically corrupt that it makes Michael Bay’s The Island look like a Bazinian tract by comparison.
Don’t think about throwing out the first Donnie Darko DVD, as this “remix” of the film is a totally different beast.
This Donnie Darko DVD is an incredibly handsome class act.
Richard Kelly’s debut feature is a tale of adolescent angst ripe with enigmatic sci-fi underpinnings.