Arrow’s release is now the definitive edition of Sam Peckinpah’s 1965 near-masterpiece.
Clint Eastwood’s Unforgiven brought the revisionist revenge film into the 1990s and, by extension, the 21st century.
Twilight Time’s high-def restorative efforts prove that Major Dundee is anything but minor Peckinpah.
Sometimes, the controlling principles of a Blu-ray production match those of its subject.
This is a smuggled-out-under-the-cover-of-darkness rehash of the 2002 two-disc DVD set.
A solid pair of neo-noir obscurities personifies the anxious tenor of the 1970s while shedding intriguing light on the careers of their respective directors.
The film is a distillation of Antonioni’s preferred themes and imagery: alienation, anxiety, modern life, and industrialized landscapes.
Alfonso Cuarón’s aesthetic seems perfectly suited to the narrative, which focuses on Harry’s near-despondent state.
Can you blame Lindsay Anderson for (allegedly) having a secret crush on Richard Harris?
Exquisitely rendered ennui. Criterion’s Blu-ray edition of Red Desert will take you there.
The film is a hallmark of what is still one of cinema’s most endearing movements.
Criterion’s extras convincingly argue for Anderson as an under-recognized director of immense natural talent.
Orca isn’t a cheap thrill, but it sure does seem like it’s in a rush to finish.
Orca tarnishes its own attempts at eco-consciousness in suggesting that whales are interested in a little blood payback.
Kaena: The Prophecy is a terrible film, but this DVD ranks among Sony Home Entertainment’s best.
Every movement in the film seems to exist solely to show off the filmmakers’ CGI expertise.
The features on this DVD feel as if they’ve been designed for the five and under crowd.
Kippers for breakfast, Aunt Helga? Is it St. Swithen’s Day already?
Simple yet handsome, this DVD edition of The Count of Monte Cristo is perhaps too understated to make an impression with potential buyers.
Watching the film, it’s easy to see why Alexander Dumas’s Edmond Dante is the biggest chump in literary history.