This is a 4K UHD release fit for one of the masterpieces of the cinema.
Imprint’s Blu-ray is further proof that Terence Malick’s sophomore feature is among the most visually dazzling films ever made.
By the end, it’s as if a good doctor’s god complex has been taken up by the film itself.
The Dinner is shrilly, luridly, dully, and unremittingly ugly, preaching to a choir that it also demonizes.
Writer-director Joseph Cedar charts Norman’s rise-and-fall arc with the attention to detail of a procedural.
In The Dinner, writer-director Oren Moverman wastes no time in establishing a tone of grandiose scabrousness.
Andrew Renzi treats unfettered wealth as a hyperbolic playground through which to explore masculine insecurity.
It’s good that we’re now able to see the film as originally intended, if only to recognize its thoroughly contemptible cultural sensibilities.
Like its predecessor, John Madden’s film is a charming example of what great actors can do with mediocre material.
The indie-movie artiness of Oren Moverman’s Time Out of Mind sometimes get in the way of its noble mission.
Perhaps it’s fortunate for Denzel Washington’s career that the film was both a commercial and financial failure.
Fisher’s smart questions elicit both useful and humorous responses from Petzold throughout.
Arbitrage is a distinctive, well-acted edition to the subgenre of thriller devoted to the American white-collar scumbag.
From Liberty Valance to Daniel Plainview, Hollywood has always loved a good bastard.
Not only does The Double’s outdated theme feel out of leftfield, it’s unexplained and without reason.
Frederick Marx’s Journey from Zanskar has been made with unusual intelligence, common sense, and decency
One major reason that Malick’s films are so divisive is that they’re so nakedly emotional, that he’s so blatantly aiming for the sublime.
A riot of heavy glances and portentous imagery, a near constant chorus of brooding strings and, in its latter, terminal stages, an excruciating program of narrative elongation that verges on the absurd.
Amelia attempts the yeoman’s task of recounting a tale about which it has virtually nothing to say.