James McTeigue’s Breaking In is the sort of incompetently constructed thriller that gives B movies a bad name.
Paranormal Activity: The Marked Ones is several reels’ worth of ugly, unshaped footage that wouldn’t have been deemed fit for a movie’s end-credit outtakes not so long ago.
A stale but scrupulously structured anecdote, A Better Life seems intended as an eye-opener for the send-’em-back American racist.