The film lacks perspective beyond a rather limited preoccupation with the details of Hunter’s personal life.
Lionsgate sure has been having its fun with the poster campaign for You’re Next.
It shouldn’t come as a surprise to anyone who truly understands how the Oscars work that the still above isn’t from Asghar Farhadi’s A Separation.
When everything comes crashing down, as it always does in lives manufactured rather than lived, what are you left with, to whom do you turn?
The many critics who panned Myra Breckinridge decades ago when it was first released were as clueless as John Huston’s Buck Loner.
I refuse to give the man the benefit of the doubt.