Review: Zipper

It wants for a keener vision of corrupted power, but at least it navigates its main character’s sudden slew of infidelities without banalizing them.

Review: The Gunman

The lack of visual ingenuity, reflexivity, or awareness of genre tropes diminishes the pleasures of the action’s involving kineticism.

Review: Noah

Once the money shots of Aronofsky’s version recede, it becomes ever more clear that his intention is to tackle the capriciousness of Old Testament logic.

Review: 20,000 Days on Earth

The film’s considered, half-fictional approach perfectly serves an artist who’s always been in the process of making and remaking his own mercurial image.

Review: The Sweeney

The very release of The Sweeney feels discernably like a strike-while-the-iron’s-hot career move for Plan B.

Review: Hugo

Martin Scorsese’s affection for cinema is, of course, no surprise, and Hugo doesn’t shy away from stumping for the cause of his Film Foundation.

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