The 4K presentation affirms the film’s position among the gutsiest Golden Age crime epics.
This release boasts an excellent transfer, informative bonuses, and even another one of Raoul Walsh’s features.
Raoul Walsh’s film is notable for its unique sense of period and locale, character, and consequence.
Four genre-defining gangster touchstones get a solid image and sound touch-up as well as oodles of extras.
Behind the anonymous-sounding title is a quintessential Walsh noir-western, with a lead performance by Robert Mitchum that contains multitudes.
Griffith’s film is a formalist text and object lesson in mythmaking.
Jean-Pierre and Luc Dardenne are modern cinema’s poets laureate of working-class marginalization and spiritual crises.
The films that Walsh made at Warner Bros. from 1939 to 1949 represent a remarkably sustained run of creativity.
Rock Hudson, pirates, Raoul Walsh standing by.
Not as wicked as the first set, but Gentleman Jim by itself makes it a must for fans.
This is an interesting set for Cary Grant completists.
Every decade has the icon it deserves.
It endures as one of the finest Flynn-de Havilland collaborations, providing a grand stage for the duo’s playful, poignant rapport.
If Custer's beyond-the-grave wish was to protect the Native Americans from corporate cretins, then I'm Errol Flynn.
White Heat’s ultimate message: love’s a bitch…even crypto-incestuous love.
If you were James Cagney’s mother, would you have rubbed the back of his neck? I didn’t think so.
The Roaring Twenties revels in a relativism that keeps its momentum fresh and elusive.
Raoul Walsh’s fast-paced film makes its own case.
There’s no denying that this overlooked 1940 gem is essentially two films in one.
It’s the hilarious 1940s dialogue like “Aw, you dames are sure screwy” that makes the film so fun to watch.