The book affords boastful insights that require serious consideration.
It reveals its lack of conviction from the get-go with a message asking whether you would like to skip a scene of “sexual violence.”
In compiling my Top 10 film list, I tried to avoid obvious choices based on general consensus.
Check out the 15 films we’ve shortlisted for their unforgettable steps.
One selection here is so indelible that its wearer spawned the name for a whole style of ’stache.
Tarr achieves an almost terrifying power but sometimes squanders it by hanging on too long.
Tarantino is offering a peculiar form of thrills, for the most part; it’s not always exciting in quite the way one expects a Tarantino film to be exciting.
Ed, I am daunted. Let’s get that out of the way. This is the last subject I ever expected us to cover—Quentin Tarantino.
David Lynch is a filmmaker who has haunted my mind since the first moment I saw one of his films.
Let us consider Tarantino’s upbringing for a bit.
When one thinks of parody, one might immediately think of blitzkrieg spoofs like the Mel Brooks movie satires.
I think I have sufficiently established the ways in which Godard and Tarantino are similar as artists.
Ultimately, the broad question I would like to pose is: is Tarantino really a Jean-Luc Godard of the 1990s and today?
We’re entering into this conversation coming from antithetical perspectives.
What makes a great movie monologue?