Merry Wives distills what legacy we need most from Shakespeare now and what art we need most from each other.
The Public Theater’s associate artistic director discusses the genesis of his ebullient production of Shakespeare’s play.
The festival is now part-streaming and part-live on a variety of platforms.
Experiencing the festival replaces the usual sense of familiarity with a sense of wonder.
This was the year of playwrights saying what they mean.
The actress discusses her connection to New York, working with director Daniel Sullivan, and more.
The acclaimed playwright sat down with us to discuss his funny and moving love story, which will premiere at the Public Theater.
When we sat down with Nelson, he was in the midst of rehearsing What Did You Expect?, the second play of his current cycle at the Public.
De Silva discusses his experience establishing a career as an actor in his adopted country.
O’Hara spoke to us recently about his collaboration with actor-playwright Colman Domingo.
We recently caught up with Kahane and Bockley to chat about February House, a musical based on Sherill Tippins’s book.
The California-born playwright, now 54, has become one of the preeminent Asian-American voices in the theater.
David Greenspan sets the tone for a delightful evening of theater magic by jumping onto a jewel-box stage set at the start of The Patsy.
The joy of watching Daniel Kitson comes from the performer’s own (very British) love of language.
Bloody Bloody Andrew Jackson is historical revisionism for the late-term SNL era.
Suzan-Lori Parks’s blackly comic Southern gothic is sprinkled with poetic assertions on postwar distress and home-life abuses.