It’s an imagination-starved redo of The Happening crossbred with a more malevolent strain of zombie-flick DNA.
Daniel Stamm’s film is solidly helmed, if expectedly over-reliant on unnecessarily grisly comeuppances that leave nothing to the imagination.
With “Harlan Roulette,” the full potential of season three is starting to show itself.
The nightmare visions of Jacob’s Ladder offer a rare cerebral experience from a director known mostly for movies about couples behaving badly.
Jake Goldberger has lassoed a great cast to ham it up in this comical homage to Billy Wilder’s classic noirs.
There’s something almost quaint about JFK now.
An audio-visual tour de force, and perhaps the purest example of Stone’s greatest strengths as a director.
Captivity would seem to think that having low standards somehow guarantees it legitimacy.
The show depicts human beings as they are—scatterbrained, selfish, myopic, sometimes viciously cruel.
The story of the Ellsworth/Alma/Bullock love triangle is being told almost entirely in subtle looks and body language.
If you’re a keeper and not a renter, you’ll want to go for the two-disc DVD of the film.
Francis Lawrence is a skilled copycat, and his adeptness at creating a mood of otherworldly unease helps make up for his story’s familiarity.
True crime, secret lesbians, Floridian trailer trash, and ’80s pop music—these lurid ingredients come together in Monster.