The result is both fascinating and frustrating, though the innovative presentation keeps things on the positive end of the spectrum.
Sundance Film Festival 2013: Shane Carruth’s Upstream Color and Michael Polish’s Big Sur
by Zeba Blay
Vivid, striking, and methodical in its approach, Upstream Color’s visual aesthetic is both provocative and beautiful.
She’s an angelic, yet rough-around-the-edges, beauty whose interests speak to fanboys and indie fans alike.
Chaw rages against the Hollywood machine’s depictions of class, gender and race, puncturing political correctness.