We took in over 100 performances across nine different stages and narrowed down the 10 best sets.
The catchy pop-punk song channels the scrappy energy and brash outspokenness that helped make Pink a star.
The film isn’t interested in exploring the fissures in Pink’s life in the rare moments when they begin to surface.
The album settles into a torpor of self-examination that never rises above 120 beats per minute.
Beautiful Trauma’s neat construction renders the album less than the sum of its parts.
Starting tomorrow, we will predict the winners in all four general field categories of the 55th Annual Grammy Awards.
The album is competently, often frustratingly more of the same from an artist who still seems capable of much more.
The krill subplot is even thinner than the penguins’, to the point where it scarcely has any reason to exist.
As divorce albums go, no one will mistake Funhouse as a Blood on the Tracks-style emotional bloodletting.
In case her new album’s title hasn’t tipped you off yet, Pink wants you to know she’s not dead.
One can’t help but feel like the album is a calculated attempt at regaining the audience Pink lost with Try This.
Pink has certainly earned the right to do whatever she damn well pleases.
Missundaztood may not be flawless, but it’s the multi-sonic platform from which Pink differentiates herself from the pop pack.