Review: Peppermint

Peppermint, Pierre Morel’s first feature film set in the United States, is brainless propaganda for the MAGA market.

Review: The Gunman

The lack of visual ingenuity, reflexivity, or awareness of genre tropes diminishes the pleasures of the action’s involving kineticism.

Review: From Paris with Love

The title is ironic, as Paris is transformed from City of Love to City of Bloodlust, and it portends a series of role reversals scattered throughout the film.

Review: District B13

B13’s lead characters aren’t as deeply moved as those postmodern resistance fighters but their allegiance has a political edge.