Amy Sedaris’s Jerri Blank is the project’s greatest visual effect.
The film is less insanely intricate than Brian De Palma’s 1996 original and far less flamboyantly queer than John Woo’s 2001 sequel.
Bennett Miller’s film has an axe to grind against its subject, the quite horrible but quite gifted writer Truman Capote.
Not since that famous tussle with Cameron Diaz’s dog in There’s Something About Mary has Ben Stiller connected so agreeably with a costar.
Is Nicole Kidman contractually obligated to interact with birds in all her films?
With all of its oversights and indulgences, 25th Hour is still a persuasive, undeniably fascinating film.
From the folks that brought you bad lounge music, the rack focus and the social faux pas comes Love Liza.
The pitch meeting must have gone something like this.
One could say it resembles punch-drunk love.