This set compiles a slate of unduly overlooked films alongside an equally idiosyncratic series of extras.
Another baroque example of the tragic fatalism inherent in heist films comes fromCriss Cross, later remade by Stephen Soderbergh as The Underneath.
There are more than a few middling films sandwiched between a couple of genuinely striking stories of postwar paranoia.
Karlson’s less interested in banter and romance than he is in slaps and chokeholds.
A rare opportunity to see B-picture rawness in an A-level presentation.