Review: XX

The anthology film XX follows female protagonists as they wrestle with exclusion and implicit social standards.

Review: Cut Bank

If it’s meant as a pulpy genre exercise, Matt Shakman’s competence in various modes works to strip it of any sense of coherent vision.

Review: The Captive

The film has the plot of an intensely lurid thriller, but Atom Egoyan can’t bring himself to face that and actively tend to the story.