In the end, the film is only of interest for members of the Campbell Scott Honorary Gay Man Society.
Despite what he may think, Schwentke hasn’t make a 9/11-era version of The Parallax View.
The film aims for the humor and political sensitivity of Catch-22 but trips and falls on its adolescent head in the process.
How unfortunate that this thriller at 40,000 feet comes so soon after the release of Red Eye.
There’s something oddly compelling, albeit pretentious, about the film’s rudimentary visual argot.
Save for its silly doozy of an ending, it’s all very boring and ridiculous.
When you take interactive sex questionnaires, do you easily become sexually aroused?
New Jersey isn’t as ugly as Todd Solondz would have us believe, but it’s also not as precious as Zach Braff tells us it is here.
Bill Condon’s provocative, problematic biopic takes an unapologetically reverential stance in its portrayal of the 1940s sex research pioneer.
A quiet and small film, to be sure, but a debut that nevertheless should not be ignored.
This release is notable for the commentary track by director Billy Ray and former New Republic editor Chuck Lane.
Shattered Glass speaks simultaneously to our humanity and sense of moral outrage.
The film aggressively courts Latino viewers by playing exactly to the prescribed notion of what movie studios think “urban” audiences really want.