The actor discusses everything from long-distance running to the burden of wearing a beard in front of his family.
Lost in the music, mustaches, and furniture of the early ’70s, this docudrama of a porn star’s exploitation isn’t nearly painful enough.
Whether intentional or not, the lives of the secondary characters are underdeveloped, often siphoned away by Jasmine’s all-encompassing presence.
The AMC drama feels leaner and meaner, quickly recuperating from its needlessly extended and convoluted former storyline.
Lovelace seems unwilling or unable to go to deeper and darker places.
Ultimately, the film is nothing more than a Lifetime movie dolled up in cheap Philip K. Dick drag.
Filly Brown plays out like a caricature of every stereotypical Sundance drama about plucky young heroines who overcome great adversity.
Seven finalists remain in the race for Best Makeup, the category that’s poised to prove just how strong a frontrunner The Artist actually is.
It’s not like critics weren’t given plenty of ammo.
Green Lantern is a mediocrity, neither folly nor kitsch.
One of the biggest mysteries of Knight and Day is figuring out who exactly the film is primarily for.
The only thing mysterious about Orphan is why Vera Farmiga and Peter Sarsgaard signed on to such an idiotic mess.
The film doesn’t add anything new to the coming-of-age genre, but it wraps you in its earnestness and warmth.
Lone Scherfig’s film is a vivacious, boldly elemental adaptation of journalist Lynn Barber’s unsparing memoir of her formative years.
The suspense generated from Esther’s early lunatic behavior is of a mild, amusing variety.
Though well cast, the film simply lacks for the very mysteries that dignify the novel.
Isabel Coixet tosses off her adaptation of Philip Roth’s novella The Dying Animal with an elegant, bemused fascination.
The series is direct and unconfrontational, but also uninsightful.
The film histrionically explores how government policy and our involvement in the Middle East affects people in America on a personal level.
Minor but moving, it’s a story about, and for, outsiders—and PETA members as well.