Alan Ball quickly loses sight of the sense of power that fuels the film’s early moments when his characters basically just gaze at each other.
Underneath its fashionable self-consciousness, Here and Now is another series about rich and attractive people.
Sylvain White’s adaptation of The Losers is the second comic-book movie misfire of 2010 and hopefully the last.
One thing is for sure here: Alan Ball’s condescension is equal opportunity.