Review: The Daughter

Simon Stone’s film too often strains for a tragic gravity that its ultimately melodramatic characters never earn.

Review: Beloved

Christophe Honoré’s film has scope and range and more well developed characters than it knows what to do with.

Review: Bright Star

Jane Campion’s artistry recalls the wonky, unconventional, and dreamlike beauty of Keats’s verses but also the meticulous stitching of a hem.