This 4K disc renders the ragged, antic beauty of Richard Lester’s delirious Beatlemania caper in all its splendor.
If you’re in a band, the Beatles taught you everything, whether you know it (or admit it) or not.
Egypt Station marks a clean break from the music McCartney has been making for the last 20 years.
Depp’s perfunctory gestures and flailing pratfalls befit a film that brings the series’s theme-park roots full circle.
Belting has never been Rihanna’s forte, and it’s as painful as it’s ever been here.
Even when songs simply play over disconnected footage of the Beatles having fun, the strength of their songcraft is stirring.
It stands as a crucial flashpoint for the Beatles’s cultural takeover and a pervasive influence on contemporary musicals and music videos.
New is an almost perversely titled album that, at least on the surface, seems like business as usual.
“XXX 88” is a collaboration between Danish singer Karen Marie Ørsted and producer Diplo.
That Dave Grohl not only survived Nirvana, but in fact proved an impressively adaptable artist, is no small thing.
Joe Berlinger’s Under African Skies is a positive breather after the heaviness of Paradise Lost 3: Purgatory.
Even in lighter fare, they point to something sinister, be it imminent attack, loneliness, or even racism.
After this, Ringo’s gonna need Werner Herzog to make his life story interesting.
There are a few moments in The Love We Make that point toward Albert Maysles’s gifts, as they acknowledge a tougher side to Pual McCartney’s life and profession.
Harrison’s search for spiritual fulfillment might not have been so fervent had it not been for the otherworldly success of the Beatles.
That the film shines scant illuminating light on Harrison’s story is all the more frustrating for its immense length.
It’s as though McCartney was determined to accomplish something other than a harbinger of advanced ticket sales.