This new release finally allows one to savor the unexpected gothic intensity of Francis Ford Coppola’s debut film.
A Clockwork Orange, possibly the most polarizing film in a much-debated filmography, receives a remarkable visual upgrade.
This release is among the most jaw-dropping transfers ever encoded onto Blu-ray.
A good platter for a great, underappreciated classic of British cinema—light on supplements but strong in presentation.
Stanley Kubrick’s aesthetic provides a necessary distancing device between the spectator and the acts of horror depicted throughout.
The fiercely ironic A Clockwork Orange has held up over time as a provocative comic horror show.
You can’t cut the ham from the bones of either of these films.
A competent package that should help overthrow the reductive image of Corman as a mere impresario of schlock.
Following the fundamental rules of the 18th-century gothic ghost story, the film is slow moving but frequently lurid.
The atmosphere and theatrics of the Amicus presentation make it a more than worthwhile trip down memory lane for die-hard horror buffs.
Though it is occasionally slow going, Stephanie Beacham’s operatic shrieking makes good on the title’s promise.
Asylum is a fun, old-fashioned taste of post-mod, pre-1980s macabre in British cinema.
One of EC’s most lasting legacies is in the unforgiving dual nature of their bile against humanity.