Throughout the film, Lucas Belvaux sidelines the emotional textures that might complicate all his sermonizing.
Joachim Lafosse’s Private Property might be considered a companion piece to L’Enfant.
The film is little more than a compendium of Hollywood crime-film citations held together by that hoariest of cat-and-mouse clichés.
Lucas Belvaux’s On the Run is the first installment in a trilogy of films I’ll hereby refer to as the director-actor’s Trois Genres.