Sharon Maguire’s Bridget Jones’s Baby is less a film than it is a series of needle-drops.
The filtering aspect of a filmmaker’s strong personality has the redeeming power that committee-obedient, impersonal filmmakers can never hope to acquire.
An eyesore on the big screen, Valentine’s Day is now close to one on your TV. Go read The Sound and the Fury instead.
Hilary Swank and Imelda Staunton butt heads outside the Oscar arena and she <em>still</em> kicks her ass.