It may be flat-out bugshit, but Argento’s film looks uncannily gorgeous in 4K UHD.
Even Blaise Pascal would wager you have everything to lose by not picking up Criterion’s upgrade of Eric Rohmer’s “Six Moral Tales.”
The premise should be prime fodder for director Wim Wenders’s brand of poetic regret.
The film’s concern for the reclamation of identity is less important than the dull approximation of The Others’s stark haunted-house atmospherics.
Mike Mendez’s film is closer to recent sci-fi cable TV movies like Sharknado than the sleazy exploitation fare of the ’70s.
The film feels liveliest when considering what happens when scientific research collides with the individual egos and desires of those producing it.
The Perfect Sleep is an empty homage to a bygone genre.
You won’t find original programming on Logo this attuned to the best and worst attributes of the gay community.
Criterion presents the films in their original 1.33:1 aspect ratios, though there is some controversy surrounding these transfers.
The very title of Michael Tolkin’s film evokes slippery visions of both spirit and sex.
Mirroring the anything-goes nature of the film it accompanies, the disc’s commentary turns on a dime between the serious and the humorous.
This special edition is jam-packed with juicy little bits and pieces as well as thoughtful commentary tracks.
The film seems to say less about the power struggle between its main characters than it does about S&M as therapy session.
It’s all about the opening credit sequence and Jodie’s slow-mo dashes into the panic room. That and those elegant wine glasses.
Phenomena’s paranormal obsessions are unlike anything you’ve ever seen.
Weightless, self-important, and downright offensive.