We Need to Do Something mainly succeeds at suggesting a more compelling film beyond its bathroom walls.
The film knots several strands of new-millennium despair into something that very nearly approximates greatness in its first half.
With its silvery sheen and sexy lure of celebrity actors being naughty, the film recalls the decadent, self-consciously chic art it parodies.
Pat Healy’s Take Me is a suspense comedy that simply isn’t very suspenseful or very funny.
The film covers The Texas Chainsaw Massacre by way of Rob Zombie, Quentin Tarantino, and Ti West.
We hope to shine a little light on brilliant, touching, often funny performances which enrich our understanding of what it means to be human.
Pat Healy’s depiction of a man willing to corrode his entire life to provide for his wife and kid feels true despite the script’s silliest moments.
Like it or not, Cheap Thrills does evince a consistent vision, however sophomoric.
Compliance effectively splits the difference between American indie art-house solemnity and direct-to-video bad-object tastelessness.
Above all, Compliance is a sadistic exercise in deliberate, relentless unpleasantness.
A beautiful transfer by Dark Sky Films of one of the best horror films of the last few years.
Ti West depicts a world continuously impinged on by the past, a realm we can admire but never actually enter.
The film’s consistent ability to amuse bolsters what in effect amounts to a cinematic doodle.
Like his obsessed heroes, Werner Herzog continues to hear the call of the jungle.
With Great World of Sound, director Craig Zobel is shooting fish in a barrel.