I looked back on the year and thought about single cinematic images that knocked me flat.
Okay, so audiences still aren’t ready for De Palma’s operatic visual sensibilities, but surely critics must be on board by now, right?
Throughout, Morgan depends on readers to maintain pace with his seemingly ad hoc critical mode.
Passion utilizes its parent film’s narrative of corporate betrayal as mere framework for which De Palma to dress in all kinds of lustrous detail.
Film Socialisme is often simply beautiful to look at, full of inspired, elusive, and suggestive imagery.