Few films are as deserving of the label "masterpiece" as Visconti’s Rocco and His Brothers.
It’s vital about violence being bred from systemic blind spots, where small souls are tasked with the impossible.
Luchino Visconti’s The Leopard is more than a tad too pleased by its own spots.
Do not go gentle into that night, Don Visconti. Rage, rage against the dying of the "Lights, camera, action!" era.