You’d think that a horror story concerned with the unreliability of sight might at least try to generate scares via the use of visual trickery.
They doubted me, but then they saw, and then they believed.
Zoe Cassavetes’s film is most successful in its throwaway moments.
Fay Grim is no fool, and as played by Parker Posey, she’s one marvelous creation.
The disc’s image quality is so reprehensible it makes it impossible to enjoy Catherine O’Hara’s great performance.
In For Your Consideration, Catherine O’Hara masterfully delineates the stages of her character’s excitement over the awards buzz.
The disc’s intense focus on the film’s production and Brandon Routh’s transformation into Superman probably makes this a must-own for fans.
Catherine O’Hara is the rare comic who never plays scenes for cheap laughs, and amazingly bags every one.
As one of Criterion’s more contemporary releases, it comes as little surprise that the film’s anamorphic widescreen image looks sharp.
Noah Baumbach’s gift for crafting characters out of flesh and blood gives the film an associative realism.
The whole thing has the dreary feeling of a bottom-of-the-barrel, clammy ’70s sex comedy.
It’s a pleasant enough piece of hackwork, anonymous in all the right ways so that it neither offends nor thrills.
New Queer Cinema icon Craig Chester’s directorial debut Adam and Steve resonates from our current political moment.
Strictly for cock-juggling thundercunts and the people who love them.
Love always has the last word? No, love means never having to see this movie.
The film is proof positive that writing a successful action film and directing one are two entirely different beasts.
To see Laws of Attraction is to see an actress play the fiddle while her reputation burns.
Funny stuff. That is, if you like the dry, incessant sound of crickets on summer evenings.
Joke-for-joke, it’s not that funny—but it’s almost poignant.
What a curious thing it is to listen to a man read from the pages of Rebecca Miller’s female-empowering Personal Velocity.