If this Richard III has a guiding concept, it’s in the dismantling and displacement of Shakespeare’s treatment of disability.
Enemy of the People could do more to challenge the assumption that majority votes work the way they’re supposed to.
We spoke to the Belgian-born titan of the theater about the experience of bringing new life to Visconti’s provocative The Damned.
The production makes the experience of entering and exiting the theater more exciting than watching the play itself.
Robert Wilson’s aesthetic is at home in the colossal Park Avenue Armory.
The Machine, in short, is an anti-capitalist tragedy that spends half its time looking like a sci-fi melodrama and the other half like a biopic.
It’s an experience that has the power to rewire your brain to perceive of a world that hovers just beyond our grasp.
This is a glorified laser light show, which feels half-assed despite its booming complexity.