Throughout, the film tirelessly hammers home the point of being true to yourself.
A nagging sense of incompletion haunts 9, Shane Acker’s feature-length expansion of his Oscar-nominated 2004 short.
What’s disheartening about Monster House isn’t just that it turns out to be a spasmodic, cacophonous roller coaster ride.
Corpse Bride looks great but doesn’t hold a candle to The Nightmare Before Christmas.
Mike Johnson and Tim Burton’s film shows that imitation is the sincerest form of flattening.