The more movies he makes, the more Paul Greengrass’s have-it-both-ways m.o. as a filmmaker becomes clearer.
American Animal’s poster, like the film, finds common ground between the high- and lowbrow, the artful and the infantile.
The ad campaign for Kathryn Bigelow’s Zero Dark Thirty is all about the act of snuffing out.
Palin’s denial of her own contribution to the current political discourse is dumbfounding.
It really skids off the rails at the midway mark, at which point it sharply shifts its attention to the links between falcon smuggling and Osama bin Laden.
Read the eleventh and final installment in a series of countdown essays written for Salon.