Unsurprisingly, Welles doesn’t efface his artistic personality for The Trial.
This gorgeous release attests to the breadth of scope of the American and European avant-garde.
Welles’s noir gets a sterling new transfer as well as a fine roster of extras both old and new.
The second season of Rod Serling’s horror anthology series looks downright cinematic in HD.
Classic film noir’s epitome and epitaph, Orson Welles’s Touch of Evil gets a stunning new UHD upgrade from Kino Lorber.
Criterion brings this quintessentially vital film into present-tense greatness once again.
Orson Welles and Dennis Hopper both understand that cinema’s inherent fakeness is the wellspring of its importance and its danger.
The film honors the central paradox of Welles: that he was a joyful poet of alienation who was, like most of us, both victim and victimizer.
Criterion continues its heroic restoration of Welles’s lost and unappreciated masterpieces with this extraordinarily beautiful release.
The Other Side of the Wind isn’t a novelty item, but a work of anguished art that’s worthy of its creator.
Ahead of its world premiere at the Venice Film Festival, Netflix has released the trailer for Welles’s unfinished last film.
Criterion offers a rough and gorgeous transfer of Welles’s audaciously personal Othello.
Olive Films continues their upgraded Signature series with yet another impressive repackaging of a prior release.
This revelatory restoration of Welles’s masterpiece could play a significant role in the film’s subsequent place in cinema’s history.
Criterion has performed an invaluable service to cinephilia by refurbishing another of Orson Welles’s obscure late-career masterworks.
In the film, Welles is at the height of his powers while reveling in the poetic force of Falstaff’s weakness.
As far as matters of its own history goes, Los Angeles has a reputation for having one eye set to the rear-view mirror.
This presentation is a beautiful, if barebones, means of introducing newcomers to one of Welles’s more idiosyncratic commercial films.
Chuck Workman simply compiles Orson Welles’s greatest moments, offering little in the way of an authorial point of view.
This is still a sturdy and attractive packaging of a profound and ever-relevantly self-reflexive Welles masterpiece.