Japan Cuts 2019: Demolition Girl, And Your Bird Can Sing, & Being Natural
Review: David Crosby: Remember My Name Sees a Legend Carrying On
Review: Cassandro, the Exotico! Shoulders the Strange Burden of Empathy
Interview: Marc Maron on Sword of Truth, WTF, and the Possibility of Change
American Demons: Martin Bell’s Streetwise and Tiny: The Life of Erin Blackwell
Review: Ed Sheeran’s No.6 Collaborations Project Feels Like Playacting
Review: Sum 41’s Order in Decline Presents a Band in Total Control
Review: Thom Yorke’s Anima Finds the Singer Raging Against the Apocalypse
Review: Banks’s III Comes on Strong but Falls Short of Pushing the Limits
Decoding Madonna’s Disturbing “God Control” Video
Review: Sea of Solitude Offers a Dreamscape Awash in Banal Abstraction
Review: Super Mario Maker 2 Joyously Puts Creation in the Player’s Hands
Review: SolSeraph Makes You an Angel but Traps You in Gaming Hell
Review: Judgment, Though Too Reticent, Is a Worthy Yakuza Spin-Off
Review: Bloodstained: Ritual of the Night Is a Sign of the Metroidvania’s Bright Future
Review: The Boys Is a Bleakly Cynical Take on the Superhero Genre
Review: Season Three of GLOW Offers a Multifaceted Vision of the ‘80s
Review: Season Three of Harlots Retains the Show’s Campy Flourishes
Review: The Loudest Voice Is Confirmation Bias as Liberal Bedtime Story
Review: Legion’s Unhinged Final Season Plunges Us into an Unknowable Mind
Interview: Kate Burton on Coriolanus in Central Park and Her Path to Success
Interview: Lynn Shelton on Honing Her Process for Sword of Trust
Interview: Paul Tremblay on Growing Things and the Hope of Horror Fiction
Disney’s Mulan Live-Action Remake, Starring Yifei Liu, Gets Teaser Trailer
Taylor Swift Drops Star-Studded, Pride-Themed “You Need to Calm Down” Video
Mykki Blanco Is a Trans Joan of Arc in Madonna’s “Dark Ballet” Video – Watch
James Gray’s Ad Astra, Starring Brad Pitt, Gets Official Trailer
Terminator: Dark Fate Official Trailer: Going Back to the Well with Sarah Connor
Review: Ealing Studios’s Dead of Night Horror Anthology on Kino Lorber Blu-ray
Blu-ray Review: Agnieszka Holland’s Europa Europa on the Criterion Collection
Blu-ray Review: Bruno Dumont’s L’Humanité on the Criterion Collection
Review: Andrew Bujalski’s Mutual Appreciation on Arbelos Films Blu-ray
Review: Jean-Luc Godard’s Alphaville on Kino Lorber Blu-ray
Review: In Mojada, Immigration Is an Ill-Fitting Costume for a Modern-Day Medea
Review: Frankie and Johnny in the Clair de Lune Shines a Light on the Vagaries of Love
Interview: Terrence McNally on the Timeless Frankie and Johnny in the Clair de Lune
2019 Tony Nominations: Hadestown and Ain’t Too Proud Lead Field
Review: Cari Mora Luridly and Bitingly Plumbs Man’s Capacity for Evil
Review: The Beatles Through a Glass Onion: Reconsidering the White Album
Review: Bret Easton Ellis Uses White to Explode Our Pretenses of Dignity
Review: David Bordwell’s Reinventing Hollywood & W.K. Stratton’s The Wild Bunch
Resplendent chaos is usually the jurisdiction of Doldrums, a.k.a. Toronto producer Airick Woodhead.
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