Today Is the Last Day is bohemian and brutal and frequently reads like a traveler’s nightmare.
I always like a movie that starts out quick, and Trance certainly does that.
Sundance Film Festival 2013: Shane Carruth’s Upstream Color and Michael Polish’s Big Sur
by Zeba Blay
Vivid, striking, and methodical in its approach, Upstream Color’s visual aesthetic is both provocative and beautiful.
The film is a smartly written, deeply engaging portrait of a movement just about to begin.
My obsession with David Byrne and company, as so often happens with me, started with a movie.