The series is about reorienting shame and blame from those who died to those who couldn’t be bothered.
Alison Bagnall and her talented leads appear to effortlessly achieve a tone that’s tricky to sustain, one that abounds equally in absurdism and empathy.
Stuart Murdoch clearly knows quite a bit about crafting pop tunes, but the film’s consideration of the work of songwriting is totally flippant.
Both keenly calculated and flowing with offbeat, naturalistic detail, Hanif Kureishi’s jewel of a script reflects his sensibilities as a playwright.
Not so much an actual movie as an assortment of Amerindie affectations, The Dish & the Spoon doesn’t waste a moment on recognizable reality.
If Irréversible was Noé’s 2001: A Space Odyssey, Enter the Void is his Pink Floyd laser show.
You can’t doubt that Noé is a dazzling synthesizer of image and sound