You may want for something to hold on to, but actors Tye Sheridan and Alden Ehrenreich slip through the fingers.
Brian Taylor’s film invests a hoary conceit with disturbing and hilarious lunacy.
The imagery fails to express either the characters’ or the filmmakers’ obsessions or synchronicities.
Jason Reitman fails to take into account any of the positive endeavors enabled by social media, which will no doubt be used to promote and market his film.
The film’s ultimate reassurances still feel a bit hedged, even in its sweet final observation of the ambling Jacob Wysocki’s sunlit face.