All In is at its most interesting when it gives one a passing sense of Buenos Aires’s elite.
DP Javier Aguirresarobe frames the action in a series of handsome, unfussy arrangements that matches the languished mood of the piece.
The beauty of Live-In Maid is how it induces us to read these womens’ minds.
Anyone who equates Dominic Harari and Teresa Pelegri’s Only Human with the cinema of Pedro Almodóvar is either blind or racist.
Live-In Maid may be a bit schematic in design, but it understands both the way humiliation can eat the soul and the freedom of not having money.
The film’s beautiful, simple finale suggests second weddings will open doors to second lives.