The film’s weighing of individual right to life against global survival isn’t an easy exchange.
The film proves again that the modern-day veneration of Jane Austen as the patron saint of the rom-com is also an act of simplification.
The Outfit is a dapper, twist-filled crime story that relies more on dialogue than gunplay to move the action.
In the moments when Old works, it’s because M. Night Shyamalan embraces the inherent weirdness of his material.
Steven Soderbergh takes a macro approach to the scandal, though the results, with rare exception, are vexingly micro.
An era of the series has ended, but as always, Doctor Who continues moving right along.
The African veldt was never so picturesque nor its inhabitants so one-dimensional as in The No. 1 Ladies’ Detective Agency.
After the entertaining fluff of “Kiss Kiss, Bang Bang,” season two’s follow-up effort hits hard.